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                <text>Bd. 2. Titelvignette unsign. Alter Mann mit Kerze im Dunkeln, verhüllter, zurückblickender Mann. &lt;br /&gt;&lt;br /&gt;Titelkupfer in Bd. 1 oh. Bez., &lt;br /&gt;sign. “Fr. Catel del.  Meyer sc.” &lt;br /&gt;Ein Mann und eine Frau in Haube u. langem Kleid fechten, zweiter Mann zusehend. &lt;a href="https://books.google.de/books?id=g7c6AAAAcAAJ&amp;amp;printsec=frontcover&amp;amp;hl=de#v=onepage&amp;amp;q&amp;amp;f=false"&gt;Digitalisat Google Ex. BSB München&lt;/a&gt;.&lt;br /&gt;Titelvignette unsign. Unbeholfener Mann auf Pferd, Umstehende.</text>
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                <text>&lt;p&gt;anderes Motiv in ders.: &lt;a href="http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10124111_00009.html"&gt;Jocus und Phantasus&lt;/a&gt;. (Prosaische Werke. 3. Theil). Stuttgart: Scheible, 1836. &lt;br /&gt;Bez. “Der glückliche Traum” Sign. unleserlich [wohl anderer Künstler]. Ein alter Mann in dunklem Umgang enthüllt ein Baby, zeigt es einem Mann in Morgenmantel. Interieur mit Fenster, Affe, Käfig. &lt;/p&gt;
&lt;p&gt;Wieder anderes Motiv in ders.: &lt;a href="http://www.mdz-nbn-resolving.de/urn/resolver.pl?urn=urn:nbn:de:bvb:12-bsb10113474-2"&gt;Jocus und Phantasus&lt;/a&gt;. Der Sonderling. (Sämmtliche Schriften Bd. 5). Stuttgart: Scheible, 1841. Digitalisat BSB München. &lt;/p&gt;</text>
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                <text>[Josephus, Titus Flavius]: The genuine and complete works of Flavius Josephus, the celebrated war-like, learned, and authentic Jewish historian. Trans. George Henry Maynard. Illustrated with marginal references, and Notes Historical, Biographical, Classical, Critical, Geographical and Explanatory.&#13;
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                <text>Book III chapter XIV, after page 397: &#13;
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                <text>Digitalisat Google &lt;a href="https://books.google.com/books?id=MNZCAAAAcAAJ&amp;amp;printsec=frontcover#v=thumbnail&amp;amp;q&amp;amp;f=false"&gt;Ex. BSB München&lt;/a&gt;</text>
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                <text>Insgesamt über 60 Stiche; neben Ramberg (3) Vorlagen von C. M. Metz (19), T. West (10), Stothard (5), Luykin (3), C. Cooke (2), Corbould, Salvator Rosa, Trepisian, Weston, C. Graves und Moreau; außerdem unsignierte; gestochen von Grignion (17), Tookey (6), Heath (4), Blake (3), Neagle (3), Scot (2), Collier (2), Noble (2), Sharp (2), Morris, Smith, Warren, Sparrow, Parker, Warner, Page und Grainger. </text>
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                <text>&lt;a href="https://books.google.com/books?id=ptFeAAAAcAAJ&amp;amp;source=gbs_book_similarbooks"&gt;Bd. 2.&lt;/a&gt; oh. Bez. (zu &lt;em&gt;Albert von Thurneisen&lt;/em&gt;)&lt;br /&gt;Sign. "Ramberg del.   W. Böhm sc." &lt;br /&gt;Eine junge Frau sinkt vor einem Mann in die Knie, umarmend. &lt;br /&gt;Lit.: Kosenina, 200f. mit Abb. &lt;br /&gt;&lt;br /&gt;&lt;a href="https://books.google.com/books?id=lt45AAAAMAAJ&amp;amp;source=gbs_book_similarbooks"&gt;Bd. 3. &lt;/a&gt;oh. Bez. (zu &lt;em&gt;Die Jäger&lt;/em&gt;, ebd., S. 1-197). &lt;br /&gt;Sign. "Ramberg del.    W. Böhm sc." &lt;br /&gt;Interieur: Ein sich umarmendes junges Paar. Jagdhunde. Am Tisch alter Mann mit Kleinkind. &lt;br /&gt;Lit: Kosenina, 206f. mit Abb. Aquarell.&lt;br /&gt;&lt;br /&gt;Bd. 4. Siehe Relation&lt;br /&gt;&lt;br /&gt;&lt;a href="https://books.google.com/books?id=kkyG0XwRfOkC%20"&gt;Bd. 5. &lt;/a&gt;(oh. Frontispiz) oh. Bez. (zu &lt;em&gt;Hausfrieden&lt;/em&gt;). Siehe Relation.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://books.google.be/books?id=6wUXAAAAQAAJ&amp;amp;hl=nl&amp;amp;source=gbs_book_other_versions"&gt;Bd. 6. &lt;/a&gt;Bez. "Du hängst dein Haupt, Lilie? / Herbsttag. III A. 5. A." &lt;br /&gt;Sign. "H. Ramberg del.   W. Jury fec."&lt;br /&gt;Eine Frau steht in verlegener Haltung, ein sitzender älterer Mann mit Perücke hält ihre linke Hand. Katze. &lt;br /&gt;&lt;br /&gt;&lt;a href="https://books.google.com/books?id=bFIJAAAAQAAJ&amp;amp;source=gbs_book_similarbooks"&gt;Bd. 7.&lt;/a&gt; Bez. "Elise von Valberg. / Schuldigkeit, Ihro Excellenz --- darf ich / Sie an die Treppe führen. / 4 Aufz. 10. A." [oben re.] Ifflands W. 7. Bd."&lt;br /&gt;Sign. "H. Ramberg del.   W. Böhm sc." &lt;br /&gt;Ein junger Mann greift eine ältere, abgewandt stehende Frau (mit Haube) um die Schultern. Eine andere Frau im Hintergrund. Rokokokleidung. Interieur. Hund. &lt;br /&gt;&lt;br /&gt;&lt;a href="https://books.google.be/books?id=ueA5AAAAMAAJ&amp;amp;printsec=frontcover&amp;amp;dq=ifflands+dramatische+Werke+volume+9&amp;amp;hl=nl&amp;amp;sa=X&amp;amp;ved=0ahUKEwiY2KqV5ObTAhXi7IMKHZPaBPQQ6AEIKjAB#v=onepage&amp;amp;q&amp;amp;f=false"&gt;Bd. 9.&lt;/a&gt; Bez. ez. "Es sind 315 Thaler! / Aussteuer III A. 1 A" (zu &lt;em&gt;Die Aussteuer&lt;/em&gt;, ebd. S. 1-168). &lt;br /&gt;Sign. "H. Ramberg del.  W. Jury sc." &lt;br /&gt;Ein elegantes Rokoko-Paar: Sie sitzend, er seitlich vor ihr stehend, etwas in der erhobenen linken Hand haltend.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://books.google.com/books?id=OuE5AAAAMAAJ&amp;amp;source=gbs_book_similarbooks"&gt;Bd. 10.&lt;/a&gt; Bez. "Der Mann von Wort. / 4. Aufz. 12. Auftr." [o. re.] "Ifflands W. 10. B." (zu ebd., S. 1-198). &lt;br /&gt;Sign. "H. Ramberg del.   W. Böhm sc."&lt;br /&gt;Ein junges Paar fällt sich in die Arme; hinter ihnen ein Mann mit Blick nach oben und einem Handschuh in der erhobenen Hand.&lt;br /&gt;Lit.: Kosenina, S. 208f. mit Abb. &lt;br /&gt;&lt;br /&gt;&lt;a href="https://books.google.com/books?id=4OE5AAAAMAAJ&amp;amp;source=gbs_book_similarbooks"&gt;Bd. 11.&lt;/a&gt; Bez. "Der Fremde. / 4. Aufz. 6. A." (zu dem gleichnamigen Drama ebd.) [oben re.] "Ifflands W. 11.r Th."&lt;br /&gt;Sign. "H. Ramberg del.    W. Jury sc."&lt;br /&gt;Eine elegante junge Frau hält einen Papierdrachen. Interieur mit Komode. Im Vordergrund ein kleiner Junge. &lt;br /&gt;Lit.: Kosenina, S. 202f. mit Abb. &lt;br /&gt;&lt;br /&gt;&lt;a href="https://books.google.com/books?id=buI5AAAAMAAJ&amp;amp;printsec=frontcover#v=onepage&amp;amp;q&amp;amp;f=false"&gt;Bd. 12.&lt;/a&gt; Bez. "Selbstbeherrschung. / 5.r Aufz. 12 Auft." (zu dem gleichnamigen Schauspiel ebd.)&lt;br /&gt;Sign. "H. Ramberg del. W. Jury sc." &lt;br /&gt;Zwei Männer, heftig gestikulierend, stehen sich gegenüber, einer mit Hut und Stock, der andere mit Perücke. Interieur, an der Wand ein Porträt.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://books.google.be/books?id=8B9CAAAAcAAJ&amp;amp;printsec=frontcover&amp;amp;dq=ifflands+dramatische+Werke+der+vormund&amp;amp;hl=nl&amp;amp;sa=X&amp;amp;ved=0ahUKEwjki82c5ebTAhUC9IMKHTTkCeIQ6AEINDAC#v=onepage&amp;amp;q=ifflands%20dramatische%20Werke%20der%20vormund&amp;amp;f=false"&gt;Bd. 13&lt;/a&gt;. Bez. "Liebe um Liebe / 4. Auftr " (zu dem gleichnamigen Schauspiel, ebd., S. 1-30); [re. oben] "Ifflands W. 13 Th."&lt;br /&gt;"H. Ramberg del. W. Jury sc." &lt;br /&gt;Ein junges Paar, bäuerlich gekleidet; sie weint, er führt eine Alte am Arm weg, schaut zu ihr um. Im Freien vor Baum. Hund. &lt;br /&gt;&lt;br /&gt;&lt;a href="https://books.google.be/books?id=LuM5AAAAMAAJ&amp;amp;printsec=frontcover&amp;amp;hl=nl#v=onepage&amp;amp;q&amp;amp;f=false"&gt;Bd. 14 &lt;/a&gt;Bez. 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                <text>16 Kupfer, neben Ramberg von und nach H. V. Schnorr von Carolsfeld, Penzel. &#13;
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                <text>Ramberg;&#13;
Böhm;&#13;
Jury;</text>
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                <text>Bd. 1. archive.org &lt;a href="https://archive.org/details/buchfrkindergeb00houwgoog"&gt;Ex. New York Public Library &lt;/a&gt;&lt;br /&gt;(Exemplar ohne Illustrationen) &lt;br /&gt;&lt;br /&gt;Nachdruck De Gruyter 1900.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://www.zvab.com/servlet/BookDetailsPL?bi=15341479669&amp;amp;cm_sp=SEARCHREC-_-WIDGET-L-_-BDP-H&amp;amp;searchurl=an%3Dhouwald%26ds%3D30%26rollup%3Don%26sortby%3D17%26tn%3Dbuch%2520f%25FCr%2520kinder"&gt;Antiquariat&lt;/a&gt;</text>
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                <text>Houwald: Die Erde. Zur Erklärung des Titelkupfers, ebd., Bd. 1, S. 1-8.</text>
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                <text>Jugendliteratur, Pädagogik</text>
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                <text>Titelkupfer Allegorie Mutter Erde (Amoretten in Früchtekorb)&#13;
Bd 1. Zu "Madonna della Sedia"&#13;
Zu "Der Seegreis und die Fischerin"&#13;
Zu "Die Begeisterung" &#13;
&#13;
Bd. 2 5 Tafeln von Böhm und Fleischmann nach Ramberg&#13;
&#13;
[noch nicht ermittelt: Illustration zum Märchen vom Seegreis und der Fischerin]&#13;
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                <text>[ergänzen; Signatur prüfen]&#13;
Kupferstecher Bd. 1: &#13;
Böhm, H. Schmidt und Schwerdgeburth &#13;
Bd. 2: &#13;
Böhm &#13;
Fleischmann </text>
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 &#13;
2. Vor S. 3. Nicht sign, Greis in Ritterrüstung beugt sich zu kleinem nackten Kind, Felgenlandschaft; weitere Kleinkinder als Engel mit Flügeln und Teufel mit Hörnern.&#13;
&#13;
4. Vor S. 77 zu “Sieg und Seegen”.  Nicht sign aber im Stil. Junge Frau und 2 Mädchen mit Blumengirlande und –kranz vor einem Haus; Hund, Alter.&#13;
&#13;
6. Vor S. 161 zu “Richtet nicht! Erzählung”. Nicht sign. Alter Mann mit Stockbein, geführt von Kind, reicht Bettelhut herum. Junge und alte Frau geben, Uniformierter, Mann auf Pferd, hinter ihm ein Geigenspieler.&#13;
&#13;
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Landschaft mit Ruinen, 2 Personen. Nicht typisch! &#13;
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Sign. [C. Heideleft del   F. […] sculp 1824”].&#13;
Nachtszene mit Vollmond und Kirchenumriss, davor Grabplatten, Mann und Frau daneben.&#13;
&#13;
10. Bez. “Ifflands Gartenhaus im Tiergarten”&#13;
 Sign. “F. W. Delkeskamp ad nat. del.   J.B. [Hossel] sc. Berlin”&#13;
&#13;
11. Bez. “Philadelphia / von dem großen Baum zu Kingston wo Penn  den / großen Tractat mit den Indianern schloss”. Sign. “J. G. H. Frenzel sc. Dresd.” &#13;
&#13;
12. Bez. “Berg Vernon in Virginien / Sitz des großen Georg Washington / Befehlshaber der Armeen der V. Staaten im Revol.Kriege”.&#13;
Sign. “J. G. A. Frenzel sc. Dresd.”  &#13;
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Böhm, W. </text>
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                <text>&lt;p&gt;&lt;span style="vertical-align:inherit;"&gt;&lt;span style="vertical-align:inherit;"&gt;Bd. 1. Mährchen der Tausend und Einen Nacht für Kinder. 1. Teil. Frontispiz bez. &lt;/span&gt;&lt;span style="vertical-align:inherit;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;a href="https://books.google.com/books?id=K91LAAAAYAAJ&amp;amp;printsec=frontcover&amp;amp;dq=M%C3%A4hrchen+der+Tausend+und+Einen+Nacht+f%C3%BCr+Kinder,+Volume+1&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=0ahUKEwj17_S_1dfTAhXByoMKHQVGBXkQ6AEIJzAA#v=onepage&amp;amp;q&amp;amp;f=false"&gt;&lt;span style="vertical-align:inherit;"&gt;&lt;span style="vertical-align:inherit;"&gt;"Zu der Geschichte von Kogia Hassan Alhabbal"&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; [Digitalisat google books]&lt;br /&gt;&lt;span style="vertical-align:inherit;"&gt;&lt;span style="vertical-align:inherit;"&gt;Nicht sign., aber im Stil Ramberg. &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="vertical-align:inherit;"&gt;&lt;span style="vertical-align:inherit;"&gt;Gauckler in orientalischer Kleidung, auf einem Platz umgeben von Zuschauern, über ihm ein großer Vogel mit einem Turban in seinen Klauen.   &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="vertical-align:inherit;"&gt;&lt;span style="vertical-align:inherit;"&gt;Bd. 2. 1820.  &lt;/span&gt;&lt;/span&gt;&lt;a href="http://books.google.com/books?id=bb1LAAAAYAAJ&amp;amp;printsec=frontcover&amp;amp;dq=Grimm+M%C3%A4rchen-Bibliothek+albert-ludwig-grimm+1822&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ei=nIrsUISRGJKJ2AXG9IGAAg&amp;amp;ved=0CDYQ6AEwAQ#v=onepage&amp;amp;q&amp;amp;f=false"&gt;&lt;span style="vertical-align:inherit;"&gt;&lt;span style="vertical-align:inherit;"&gt;Mährchen von der Tausend und Einen Nacht für Kinder.&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="vertical-align:inherit;"&gt;&lt;span style="vertical-align:inherit;"&gt; [Digitalisat google books] 2. Teil. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="vertical-align:inherit;"&gt;&lt;span style="vertical-align:inherit;"&gt;Frontispiz bez. "Zur fünften Reise des Seemanns Sindbad". &lt;br /&gt;Nicht sign., aber im Stil Ramberg. &lt;br /&gt;Ein Mann trägt einen anderen auf seinen Schultern: hemdlos, mit groteskem Kopf und weißem Bart.&lt;/span&gt;&lt;/span&gt;&lt;span style="vertical-align:inherit;"&gt;&lt;span style="vertical-align:inherit;"&gt; K&lt;/span&gt;&lt;span style="vertical-align:inherit;"&gt;aktus und kleiner Affe im Hintergrund. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="vertical-align:inherit;"&gt;&lt;span style="vertical-align:inherit;"&gt;&lt;a href="https://books.google.com/books?id=mAU-AAAAYAAJ&amp;amp;printsec=frontcover&amp;amp;dq=editions:bi_Fh7mcoI8C&amp;amp;hl=en&amp;amp;newbks=1&amp;amp;newbks_redir=0&amp;amp;sa=X&amp;amp;ved=2ahUKEwiTtvrM8KboAhWBVs0KHT9SCVcQ6AEwA3oECAYQAg"&gt;Bd. 3. Mährchen der Tausend und Einen Nacht für Kinder.&lt;/a&gt; 3. Teil.&lt;/span&gt;&lt;span style="vertical-align:inherit;"&gt; Frontispiz bez.&lt;/span&gt;&lt;/span&gt;&lt;span style="vertical-align:inherit;"&gt;&lt;span style="vertical-align:inherit;"&gt; "Zu den Abenteuern des Prinzen Firus Schach". [Digitalisat Google books] &lt;br /&gt;Sign.  "Ramberg del. Büscher sc." &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="vertical-align:inherit;"&gt;&lt;span style="vertical-align:inherit;"&gt;Ein Paar reitet auf einem schwarzen Pferd in der Luft. Auf dem Boden ein Mann mit Krone und in orientalischer Kleidung auf einem großen Polster, Zuschauer, Rauch. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="vertical-align:inherit;"&gt;&lt;span style="vertical-align:inherit;"&gt;Bd. 4. Mährchen der Tausend und Einen Nacht für Kinder. 4. Teil&lt;/span&gt;&lt;span style="vertical-align:inherit;"&gt;. &lt;/span&gt;&lt;/span&gt;&lt;a href="https://books.google.com/books?id=nXpQAAAAcAAJ&amp;amp;printsec=frontcover&amp;amp;dq=M%C3%A4hrchen+der+Tausend+und+Einen+Nacht+f%C3%BCr+Kinder,+Volume+4&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=0ahUKEwjByOeg19fTAhXr34MKHQmaBMwQ6AEILjAB#v=onepage&amp;amp;q&amp;amp;f=false"&gt;&lt;span style="vertical-align:inherit;"&gt;&lt;span style="vertical-align:inherit;"&gt;Frontispiz&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="vertical-align:inherit;"&gt;&lt;span style="vertical-align:inherit;"&gt; [Digitalisat google books]&lt;br /&gt;Bez. oben "Theil IV.  Pag. 56"&lt;br /&gt;"Zu der Geschichte des dritten Kalenders, der / ein Königs-Sohn war".&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="vertical-align:inherit;"&gt;&lt;span style="vertical-align:inherit;"&gt;Sign. "[] F. Schnorr"&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="vertical-align:inherit;"&gt;&lt;span style="vertical-align:inherit;"&gt;Bd. 5. Mährchen der Tausend und Einen Nacht für Kinder. 5. Teil. &lt;/span&gt;&lt;/span&gt;&lt;a href="https://books.google.com/books?id=Rgk-AAAAYAAJ&amp;amp;printsec=frontcover&amp;amp;dq=M%C3%A4hrchen+der+Tausend+und+Einen+Nacht+f%C3%BCr+Kinder,+Volume+5&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=0ahUKEwiozpOT2NfTAhWn5oMKHeu0AGcQ6AEINjAC#v=onepage&amp;amp;q&amp;amp;f=false"&gt;&lt;span style="vertical-align:inherit;"&gt;&lt;span style="vertical-align:inherit;"&gt;Frontispiz&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="vertical-align:inherit;"&gt;&lt;span style="vertical-align:inherit;"&gt; "Zu der Geschichte des Prinzen Amgiad und Assad". [Digitalisat google books]&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="vertical-align:inherit;"&gt;&lt;span style="vertical-align:inherit;"&gt;Unsign.  &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="vertical-align:inherit;"&gt;&lt;span style="vertical-align:inherit;"&gt;Vor einem Haus: ein Reiter schaut auf eine junge Frau in der offenen Tür. Umstehende, alle in Turbanen.&lt;/span&gt;&lt;span style="vertical-align:inherit;"&gt;. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="vertical-align:inherit;"&gt;&lt;span style="vertical-align:inherit;"&gt;Bd. 6. &lt;/span&gt;&lt;/span&gt;&lt;a href="https://books.google.com/books?id=0gU-AAAAYAAJ"&gt;&lt;span style="vertical-align:inherit;"&gt;&lt;span style="vertical-align:inherit;"&gt;Mährchen der alten Griechen und Römer für Kinder.&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="vertical-align:inherit;"&gt;&lt;span style="vertical-align:inherit;"&gt;  &lt;/span&gt;&lt;span style="vertical-align:inherit;"&gt;1 Bd. 1824. [Digitalisat Band]&lt;br /&gt;Titelkupfer bez. "Zu dem Märchen von Faethon und seinen trauernden SChwestern". &lt;br /&gt;Nicht sign. Der Kopf ist nicht typisch für Ramberg&lt;br /&gt;[C. Büscher nach Ramberg]&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;Antikisch gekleideter Wagenlenker und Streitwagen mit &lt;span style="vertical-align:inherit;"&gt;&lt;span style="vertical-align:inherit;"&gt;3 Pferden in den Wolken. Sonne. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="vertical-align:inherit;"&gt;&lt;span style="vertical-align:inherit;"&gt;Bd. 7. - "-. &lt;/span&gt;&lt;span style="vertical-align:inherit;"&gt;Bd. 2. 1826. Titelkupfer "&lt;a href="https://books.google.com/books?id=ttA9AAAAYAAJ&amp;amp;printsec=frontcover&amp;amp;dq=M%C3%A4hrchen+der+alten+Griechen+und+R%C3%B6mer+f%C3%BCr+Kinder.+1826&amp;amp;hl=en&amp;amp;newbks=1&amp;amp;newbks_redir=0&amp;amp;sa=X&amp;amp;ved=2ahUKEwirrKCj66boAhVPLs0KHQP2BG0Q6AEwAHoECAQQAg"&gt;Zu dem Mährchen von Philemon und Baucis.&lt;/a&gt;"&lt;br /&gt;Nicht sign., aber typisch Ramberg &lt;/span&gt;&lt;/span&gt;&lt;span style="vertical-align:inherit;"&gt;&lt;span style="vertical-align:inherit;"&gt; [Digitalisat google books ex. Princeton]&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>1 Titelkupfer &lt;br /&gt;Sign. “H. Ramberg del. – Boettger aus [Dres] sc” Drei Mädchen mit Blumengirlanden und Lorbeerkranz an einer Säule mit Reliefportrait Gellerts.&lt;br /&gt;&lt;br /&gt;vor S. 1. "&lt;em&gt;Die Nachtigall und die Lerche.&lt;/em&gt;"&lt;br /&gt;Sign. "Ramberg del. [unleserlich] sc."&lt;br /&gt;&lt;br /&gt;vor S. 3. "&lt;em&gt;Der Tanzbär&lt;/em&gt;"&lt;br /&gt;Sign. "HRamberg de. [Atailves] sc.]&lt;br /&gt;&lt;br /&gt;nach S. 30 "&lt;a&gt;Damötas und Phyllis&lt;/a&gt;&lt;em&gt;"&lt;/em&gt;.&lt;br /&gt;Sign. "Ramberg del. [unleserlich] sc." &lt;br /&gt;Lit: Kosenina, S. 154f. mit Abb. &lt;br /&gt;&lt;br /&gt;vor  S. 45 "&lt;em&gt;Der erhörte Liebhaber&lt;/em&gt;" &lt;br /&gt;Sign. "Ramberg del. L[unleserlich] sc.}&lt;br /&gt;&lt;br /&gt;nach S. 58 "&lt;em&gt;Der baronisierte Bürger.&lt;/em&gt;"&lt;br /&gt;Sign. "H. Ramberg del.  Schule sc." &lt;br /&gt;&lt;br /&gt;nach S. 66 "&lt;em&gt;Die kranke Frau&lt;/em&gt;." &lt;br /&gt;Sign. "H. Ramberg del." &lt;br /&gt;&lt;br /&gt;vor S. 83 "&lt;em&gt;Der arme Greis&lt;/em&gt;."&lt;br /&gt;Sign. "Ramberg del.   L[unleserlich] sc."&lt;br /&gt;&lt;br /&gt;nach S. 122 "&lt;em&gt;Die Bauern und der Amtmann&lt;/em&gt;." &lt;br /&gt;Sign. "H. Ramberg del." &lt;br /&gt;&lt;br /&gt;vor S. 125 "&lt;em&gt;Die Frau und der Geist&lt;/em&gt;." &lt;br /&gt;Sign. "H. Ramberg del. L[ülves] sc."&lt;br /&gt;&lt;br /&gt;nach S. 126 "&lt;em&gt;Philinde&lt;/em&gt;." &lt;br /&gt;Sign. [wie oben]&lt;br /&gt;&lt;br /&gt;nach S. 136 "&lt;em&gt;Hanns Nord&lt;/em&gt;." &lt;br /&gt;Sign. "H. Ramberg del." &lt;br /&gt;Lit.: Kosenina, S. 156f. mit Abb. &lt;br /&gt;&lt;br /&gt;vor S. 153 "&lt;em&gt;Der Held und der Reitknecht&lt;/em&gt;." &lt;br /&gt;Sign. "H. Ramberg del."</text>
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                <text>Titelkupfer auch in: Gellert, Christian Fürchtegott: Sämmtliche Fabeln und Erzählungen in 3 Büchern. Neueste Original-Ausg. Leipzig: Hahn, 1836.</text>
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                <text>1 Titelkupfer</text>
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        <name>Adel</name>
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                    <text>Handel. </text>
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                    <text>Als “Die Nachtigall” auf &lt;a href="http://www.artnet.fr/artistes/johann-heinrich-ramberg/die-nachtigall-MoG2zL8vCAvP6dUZl_58Qg2"&gt;Artnet.fr&lt;/a&gt;.&lt;br /&gt;Koloriert &lt;a href="http://www.artnet.fr/artistes/johann-heinrich-ramberg/les-amants-surpris-70l2k6FbqraDiUqk0jFwlQ2"&gt;“Les Amants surpris” auf Artnet.fr&lt;/a&gt;</text>
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                    <text>Le poirier enchanté </text>
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                    <text>Fabeln 27, LaFontaine </text>
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                    <text>La Jument du compère Pierre </text>
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                    <text>Handel 2016</text>
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                    <text>&amp;nbsp;&lt;a href="http://www.artnet.fr/artistes/johann-heinrich-ramberg/la-jument-du-compère-pierre-m1tTJa9pwqQhQLbk2TaRtA2"&gt;La Jument du compère Pierre&lt;/a&gt;, koloriert auf Artnet.fr.&amp;nbsp;&amp;nbsp;</text>
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      <description>A link, or reference, to another resource on the Internet.</description>
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              <text>3.&lt;a href="http://www.artnet.fr/artistes/johann-heinrich-ramberg/le-paysan-qui-cherche-son-veau-joconde-corneillan-sgf0gCqXIqPXOox_0yiHuA2"&gt;Le Paysan qui cherche son&lt;/a&gt; Veau, auch koloriert, auf Artnet.fr.</text>
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              <text>4. &lt;a href="http://www.artnet.fr/artistes/johann-heinrich-ramberg/%C3%BCberraschtes-liebespaar-unter-einem-birnbaum-YZjwFs9PZErIsyOy8mrb9w2"&gt;Belauschtes Liebespaar unter einem Birnbaum&lt;/a&gt;, koloriert, 1977, auf Artnet.fr.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.artic.edu/aic/collections/artwork/153609?search_no=1&amp;amp;index=3"&gt;Bearded Man Spying on Lovers Under an Arbor&lt;/a&gt;, Etching 1795, Art Institute Chicago.</text>
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              <text>5. Belauschtes Liebespaar unter einem Weidenbaum, koloriert, auf &lt;a href="http://www.artnet.fr/artistes/johann-heinrich-ramberg/belauschte-liebespaare-unter-einem-weiden-und-yc3nWlwU_4HjAMrtkH9ifQ2"&gt;Artnet.fr&lt;/a&gt;.&lt;br /&gt;&lt;i&gt;&lt;a href="http://www.artic.edu/aic/collections/artwork/153608?search_no=1&amp;amp;index=2"&gt;Unobserved Man Spying on Reclining Lovers, &lt;/a&gt;&lt;/i&gt;Etching, 1795, Art Institute Chicago.</text>
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                <text>Ramberg, Johann Heinrich: Suite des six estampes dessinées et gravées au trait pour illustrer Les contes de La Fontaine. Collection complete. &#13;
(Réimpression des belles collections de gravures di XVIII siècle.) &#13;
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                <text>1. Titelvignette: Putto pinselt Initialen JH auf Wappenschild. &#13;
[Inschrift prüfen]</text>
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                <text>6. La Jument du compère Pierre. [Frau Gemata als Stute; nach Boccacio]&#13;
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                <text>1884.&#13;
Original um 1800</text>
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                <text>Die Originalausgabe ist ungesichert; möglicherweise wurden die Stiche einzeln als solche verkauft. &#13;
[möglicherweise] Fables (Paris 1796) oder La Fontaine's Fables, Now First Translated from the French... by Robert Thomson. Paris: Chenu 1806.  4 frontispieces by Perdoux. &#13;
Kein Digitalisat.&#13;
Stiche einzeln auf Artnet.fr. </text>
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                <text>Eduard Fuchs: Das erotische Element in der Karikatur. Ein Beitrag zur Geschichte der öffentlichen Sittlichkeit. Berlin: A. Hofmann, 1904, S. 140-141. </text>
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                    <text>Altstadt Antiquariat Goslar</text>
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 Frau mit Laute, schwebend in Drapierungen.&#13;
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                <text>Alle bez. u. li. “Zu der geschichtlichen Darstellung von Dr. Dittmer Hannover 1822”. Außer Frontispiz nummeriert oben rechts. &lt;br /&gt;&lt;br /&gt;Titelkupfer “Georg IV. / König von England und von Hannover”&lt;br /&gt;Sign. “Riepenhausen sc.”</text>
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                <text>&lt;p&gt;Digitalisat &lt;a href="https://books.google.com/books?id=PcZRAAAAcAAJ"&gt;Ex. Österr. Nationalbiblio. 31.Q.30&lt;/a&gt;; Digitalisat &lt;a href="https://archive.org/search.php?query=external-identifier%3A%22urn%3Aoclc%3Arecord%3A1039962644%22"&gt;Archive.org (Ex. Getty Research Institute)&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Thomas Schwark: Die Kutsche u das Buch. Was an den Besuch von König Georg IV. 1821 in Hannover erinnert. In: Kat. Als die Royals …Eine Kutsche [Ausstellungskatalog],  S. 18-39, S. 37:&#13;
"Sie traten also in eine Kommunikation mit dem Herrscher ein, gemahnten einerseits durch die von Hofbaumeister Laves in klassizistischer Manier ausgeführten Architekturen an klassische Werte und Herrscherideale und forderten andererseits durch die von Hofmaler Ramberg geschaffenen Allegorien und personifizierten Tugenddarstellungen vorbildliches Herrscherverhalten ein. […] Der diesen Ausführungen zugrunde liegenden Chronik des Zeitgenossen Heinrich Dittmer kommt nicht allein die Funktion eines Berichtes über das historische Ereignis zu, sondern sie ist zugleich einer seiner wichtigen Bestandteile: Neben der stets positiven, geradezu überschänglich begeisterten Darstellung der Begebenheiten wird der Herrscherbesuch gleichsam historisch aus der Tradition der landesherrlichen Visiten seit 1714 hergeleitet und damit legitimiert. Außerdem fängt die Chronik im Sinne einer gründlichen Dokumentation die Vielfalt der zahlreichen zeittypischen Veranstaltungs- und Darbietungsformate ein: die Konzerte, Audienzen, Empfänge, Festessen, Jagden und Militärparaden, die Lieder, Gebete und gereimten Ehrerbietungen, die Texte von Aufführungen, die ephemeren Bauten und Kunstwerke – nicht zuletzt in zum Teil farbigen Abbildungen."&#13;
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              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text> </text>
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      <name>Frontispiece/ Titelkupfer </name>
      <description>An engraving opposite the title page. </description>
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                <text>Beulwitz, Carl von: Wirkliches Leben in romantischen Darstellungen. 2 Bde.</text>
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                <text>Bd. 1 [noch nicht ermittelt]&#13;
&#13;
Bd. 2. Frontispiz "pag. 139" [ durchgestrichen und mit Bleistift darunter 238] [= "Die Entführung"]&#13;
Beschr.: in Bett tote Frau, daneben napoleonisch gekleideter Soldat, zum Himmel gewendet, am Fuß des Betts ältere Frau u. Mann betend.&#13;
“Ramberg del.   pag. 139   Schwerdgeburth sc.” &#13;
&#13;
Titelvignette "pag. 164” [zu “Anton Steinsdorf”]&#13;
Beschr.:, junge Frau am Klavier, hinter ihr steht ein Mann, der Flöte spielt, umgeben von herzförmiger Efeuranke.&#13;
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                <text>Bd. 2 Digitalisat 
&lt;p&gt;&lt;a href="https://books.google.de/books?id=RvA9AQAAMAAJ&amp;amp;pg=PA213&amp;amp;lpg=PA213&amp;amp;dq=Wirkliches+Leben+in+romantischen+Darstellungen&amp;amp;source=bl&amp;amp;ots=syutAVwgNr&amp;amp;sig=_jO_Cmc7gYpDS7uXye-UihaiyeM&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ei=QgeJVbXOA_Kv7Aa8joGQAw&amp;amp;redir_esc=y#v=onepage&amp;amp;q=Wirkliches%20L"&gt;Ex. Google University of Chicago&lt;/a&gt;&lt;a href="#_msocom_1"&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Frankfurt: Willmans</text>
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                <text>1817. </text>
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                <text>zu Bd. 2: nur Bd. 2. Jenaer ALZ 1818, 191: "Die Kupfer, gezeichnet von Ramberg, gestochen von Schwerdgeburth, sind alles Lobes wert."&#13;
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                <text>Schwerdgeburth (Stecher) &#13;
Beulwitz (Autor)</text>
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                <text> 2 Titelkupfer, 2 Titelvignetten</text>
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        <name>Frau</name>
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        <name>Liebe (Allegorie)</name>
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                    <text>"Il guiderò felice"</text>
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                    <text>Berquin Bd. 3</text>
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                <name>Type</name>
                <description>The nature or genre of the resource</description>
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                    <text>Titelvignette</text>
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                    <text>"Orrida Parricida" </text>
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                    <text>Berquin Bd. 3. &#13;
https://books.google.com/books?id=TMWAjU0E4qUC&amp;pg=PP11&amp;dq=l%27amico+dei+fanciulli.+1788&amp;hl=en&amp;sa=X&amp;ved=2ahUKEwia9_HZgPLkAhVI7J4KHYR0BS8Q6AEwAXoECAIQAg#v=onepage&amp;q=l'amico%20dei%20fanciulli.%201788&amp;f=false</text>
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                    <text>Berquin Bd. 4</text>
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              <element elementId="45">
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                  <elementText elementTextId="2309">
                    <text>G. Ernst</text>
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              <element elementId="40">
                <name>Date</name>
                <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                    <text>1789</text>
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              <element elementId="51">
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                <description>The nature or genre of the resource</description>
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                <description>A related resource from which the described resource is derived</description>
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                    <text>Auction House Criterion, London 2019. </text>
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              <description>A name given to the resource</description>
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                  <text>Illustrierte Bücher  / Books with illustrations</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Divers</text>
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              <description>An account of the resource</description>
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            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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              <name>Date</name>
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            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
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            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
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            <element elementId="38">
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              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text> </text>
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      <description>An engraving opposite the title page. </description>
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            <description>A name given to the resource</description>
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                <text>Berquin, Arnaud: L' amice de’ fanciulli. Trad., ed ampliato dal francese, de Francesco Sastres.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Kinderliteratur; Französische Literatur; Italienische Übersetzung; </text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>Bd. 1. Titelkupfer "&lt;a href="http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3227789&amp;amp;partId=1&amp;amp;people=110466&amp;amp;page=1"&gt;Charity&lt;/a&gt;" &lt;br /&gt;Sign. "H. Ramberg, del. F. Bartolozzi, sc." &lt;br /&gt;Knieende Frau mit einem nackten Kleinkind, deutet auf ein Reliefporträt von Königin Charlotte am Himmel, links zwei weitere Kinder. &lt;br /&gt;Ex. &lt;a href="http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3227793&amp;amp;partId=1&amp;amp;searchText=Ramberg&amp;amp;page=1"&gt;British Museum &lt;/a&gt;S,7.2; Beschr.: "&lt;span&gt;A woman kneeling down, holding a naked child in her left hand, pointing at a portrait of Queen Charlotte with her right index finger; two more children on the left".&lt;/span&gt;</text>
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                <text>&lt;br /&gt;&lt;a href="https://books.google.com/books?id=TMWAjU0E4qUC&amp;amp;pg=PP11&amp;amp;dq=l%27amico+dei+fanciulli.+1788&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwia9_HZgPLkAhVI7J4KHYR0BS8Q6AEwAXoECAIQAg#v=onepage&amp;amp;q=l'amico%20dei%20fanciulli.%201788&amp;amp;f=false"&gt;Bd. 3 (1788)&lt;/a&gt;&lt;br /&gt;Titelvignette Amorette mit Schärpe (Text "TI GUIDERO FELICE") trägt Lorbeerkranz&lt;br /&gt;Sign. "Ramberg inv.t del.t. Bartolozzi sculp:"&lt;br /&gt;Beschr. British Museum: "I'll guide you to happiness". &lt;br /&gt;&lt;br /&gt;Titelkupfer [laut BM, nicht im Digitalisat] “Figlio. O quanto mi costa il dividermi da tè!” &lt;br /&gt;Sign. "H. Ramberg del.   F. Bartolozzi sculp." &lt;br /&gt;Beschr.: Frau führt einen gut gekleideten Jungen, der ihr bis zur Brust reicht, vor sich her zu einer Kutsche, er blickt traurig zu ihr auf. &lt;br /&gt;&lt;br /&gt;Nach S. 46: [zu "Il Parricida", S. 44-46]&lt;br /&gt;"&lt;a href="http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3297281&amp;amp;partId=1&amp;amp;searchText=ramberg&amp;amp;page=1"&gt;Orrido Parricida!&lt;/a&gt;"&lt;br /&gt;&lt;span&gt;Sign. "Ramberg del.   J. Neagle sc.t."&lt;br /&gt;Beschr. British Museum: "A young man looking horrified as he finds the body of a murdered old man slumped on the right". &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;3. [prüfen; Zuschreibung British Museum] "&lt;a href="http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3227771&amp;amp;partId=1&amp;amp;searchText=bartolozzi&amp;amp;page=8"&gt;Mortal che sei? un nulla&lt;/a&gt;".&lt;br /&gt;Sign. "Ramberg del.    Bartolozzi sculp."&lt;br /&gt;&lt;span style="font-size:10px;"&gt;Beschr.: Interior with a young woman seated on a stool in front of a table, gazing at a child sleeping in a cradle at left (British Museum); Mother Seated Next to a Table Watching an Infant in a Cradle (Metmuseum); A Mother looking at her sleeping child (Museum Boston). &lt;/span&gt;</text>
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                <text>4. [&lt;a href="https://books.google.com/books?id=XmESARL6NfsC"&gt;Digitalisat ohne Titelkupfer&lt;/a&gt;] &lt;br /&gt;nach S. 54. &lt;br /&gt;Bez. "Il Principe. Soglio parlarle incognito / Eugenia. O Dio! Chi sicle? / Vedi p. 52" ["Il Commiato. Dramma di un atto, 44-103]&lt;br /&gt;“H. Ramberg del.   J. Neagle, sc.”&lt;br /&gt;Beschr.: 2 Männer, einer mit Dreispitz, einer mit hohem Pelzhut. Mädchen gebückt, Baum und Gebüsch.&lt;br /&gt;"Two soldiers speaking to a girl gathering flowers" (British Museum).</text>
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                <text>1. Abb. in Rohr, S. 16. &#13;
&#13;
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"Ramberg, del.  Bartolozzi, sc." &#13;
&#13;
Romolo Artioli: Arte Retrospectiva -- Bartolozzi Francesco, in: Emporium 9 (1899), S. 369-387, hier S. 385-386. &#13;
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W. v. [Senus] (Stecher)&#13;
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                <text>Bd. &lt;a href="http://books.google.com/books?id=KXEHAAAAQAAJ"&gt;1. Frontispiz “Die Nachbargärten. / von F. Kind”&lt;/a&gt; (darin S. 5-55)&lt;br /&gt;Sign. “H. Ramberg del. – H. Schmidt sc.”&lt;br /&gt;Beschr.: Mann in offenem Gartentor gibt einer Frau davor Blumenstrauß; andere Frau dahinter&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://books.google.com/books?id=ZOo9AQAAMAAJ&amp;amp;printsec=frontcover#v=onepage&amp;amp;q&amp;amp;f=false"&gt;Bd. 2 &lt;/a&gt;[noch nicht ermittelt; Kupfer fehlt in Ex. University of Chicago]]</text>
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                <text>Bd. 3. &lt;a href="https://books.google.de/books?id=iuo9AQAAMAAJ&amp;amp;printsec=frontcover&amp;amp;dq=editions:kzmNxHy79FUC&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ei=cRGJVezFCcasUZaNgPAO&amp;amp;redir_esc=y#v=onepage&amp;amp;q&amp;amp;f=false"&gt;1813. Frontispiz “Aus der Gebirgsreise / von Fr. Kind.”&lt;/a&gt;  [S. 3-92]&lt;br /&gt;Beschr.: Nacht, Felsenlandschaft, elegant gekleideter junger. Mann tritt durch Felsenspalte, am Boden vor ihm liegt eine junge Frau auf dem Boden in Pflanzenranken&lt;br /&gt;&lt;br /&gt;&lt;a href="https://books.google.com/books?id=o-o9AQAAMAAJ&amp;amp;printsec=frontcover#v=onepage&amp;amp;q&amp;amp;f=false"&gt;Bd. 4.&lt;/a&gt; 1813. &lt;br /&gt;Frontispiz "Die Harfnerin und der Einsiedler" [zu "Die harnerin und der Einsiedler oder Liebe und Kunst." V. Moritz August v. Thümmel,  S. 24-40. &lt;br /&gt;Sign. "H. Ramberg del.   H. Schmidt sc." &lt;br /&gt;Beschr.: Ein junges Paar umarmt sich. In felsiger Landschaft mit Stufen, rechts oben Mauer angeschnitten, Kreuz, kleine Harfe am Boden.</text>
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                <text>1. Digitalisat Google http://books.google.com/books?id=KXEHAAAAQAAJ</text>
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                <text>3. Digitalisat Google University of Chicago Library https://books.google.de/books?id=iuo9AQAAMAAJ&amp;printsec=frontcover&amp;dq=editions:kzmNxHy79FUC&amp;hl=en&amp;sa=X&amp;ei=cRGJVezFCcasUZaNgPAO&amp;redir_esc=y#v=onepage&amp;q&amp;f=false</text>
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                <text>Einführung und Methode </text>
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                <text>Inhalt und Vernetzung mit bestehenden Digitalisaten, Exemplarnachweise&#13;
&#13;
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                <text>Es ist angestrebt, für jedes selbständig erschienene Buch Exemplarnachweise einzustellen. Bestehende Digitalisate sollen verlinkt werden. &#13;
&#13;
Die Bibliographie weist auch Nachdrucke nach, die in einem direkten Bezug zu den erfassten Primärwerken stehen.&#13;
Bestehende Digitalisate von Büchern, Almanachen und Abbildungen sind zu verlinken.&#13;
&#13;
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                <text>Im vorliegenden Werkverzeichnis sollen erstmals Rambergs Illustrationen in Büchern, Taschenbüchern und Kalendern so vollständig wie möglich erfasst und ihren textuellen Bezügen zugeordnet werden. Diese werden gleichzeitig, soweit digitalisiert, verlinkt. &#13;
Das Werkverzeichnis soll erweiterbar bleiben und dem Benutzer die Möglichkeit der Rückmeldung bieten. &#13;
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                <text>Der Hannoveraner Hofmaler und Kupferstecher Johann Heinrich Ramberg (1763–1840) galt im ersten Drittel des 19. Jahrhunderts als der bedeutendste Illustrator Deutschlands. Zum 250. Geburtstag 2013 ist ein Sammelband erschienen, der ihn erstmals als solchen würdigt: Literatur – Bilder. Johann Heinrich Ramberg als Buchillustrator der Goethezeit. Hrsg. von Alexander Kosenina. Hannover: Wallstein, 2013. &#13;
Aber auch dieses für den breiten Markt konzipierte Buch behandelt nur einen sehr kleinen Teil des Werks und legt den Schwerpunkt auf die Klassiker der deutschen Literatur (Goethe, Schiller, Wieland). Bei jener Gelegenheit wurde ein Verzeichnis der illustrierten Bücher begonnen, das aber den Rahmen des Buchs sprengte. Rambergs Illustrationswerk ist aber weit umfangreicher und mag geradezu uferlos wirken. Zu nennen sind hier nicht nur die Illustrationen zu fremdsprachiger Literatur (vor allem englischer und da herausragend Shakespeare), aber auch zur entstehenden Jugend-, Ratgeber- und Sachliteratur der Zeit. &#13;
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              <text>Frühere Ausgaben: Gotha u. Würzburg: [Expedition der Dt. Zeitung], 1790 [zuerst 1787? auch 1800, 1802].  Exemplar BSB München. Illustrationen nicht signiert. Auch HAB  M: Oe 51:1&#13;
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                <text>[Becker, Rudolph Zacharias:] Noth- und Hülfsbüchlein oder lehrreiche Freuden- und Trauer-Geschichte der Einwohner von Mildheim. 2 Bde. Neue verbesserte Ausgabe (Erstausgabe 1788). </text>
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                <text>&lt;a href="http://babel.hathitrust.org/cgi/pt?id=njp.32101071956120;seq=1;view=1up"&gt;Digitalisat Google books Ex. Princeton Univ. Lib.&lt;br /&gt;&lt;/a&gt;
&lt;p&gt;2. Theil. &lt;a href="https://books.google.de/books?id=OJBBAAAAYAAJ&amp;amp;pg=PA528&amp;amp;lpg=PA528&amp;amp;dq=Noth-+und+H%C3%BClfs-B%C3%BCchlein+:+oder+lehrreiche++Weiber-r%C3%A4nke&amp;amp;source=bl&amp;amp;ots=eQDCYhBJCs&amp;amp;sig=nom394rjIQiJjv0cWXfQBFrqMwQ&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ei=skeIVdSpI-v6ygPtra0g&amp;amp;redir_esc=y#v=onepage&amp;amp;q=Noth-%25"&gt;Ex. Google Princeton U Library&lt;/a&gt;&lt;/p&gt;
&lt;a href="http://babel.hathitrust.org/cgi/pt?id=njp.32101071956120;seq=1;view=1up"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;</text>
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S. 292 “Nutzen magst du wohl dein Vieh, Aber plag’ und quäl’ es nie” (Rohr, S. 170) zu “Wilhelm Denkers Unterricht von der Viehzucht”&#13;
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Beschr.: Erhängter, Wachmänner, klagende Frauen, Hintergrund Dorf&#13;
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Bescher.: Pferde- und Menschen durcheinander, Soldaten mit Schwertern, Bauern mit Gabeln, Knüppeln</text>
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                <text>Weitere Holzstiche nicht signiert oder nur Zeichner/Stecher "St.n" oder "mm": &lt;br /&gt;1. Theil. &lt;br /&gt;Titelvignette Stadt (1) Herr von Mildheim u. Pfarrer Wohlgemuth [mit Zügen des &lt;a href="https://de.wikipedia.org/wiki/Rudolph_Zacharias_Becker#/media/Datei:Rudolph_Zacharias_Becker_(1752_-_1852),_by_Christian_Jakob_Schlotterbeck_(1757_-_1811).jpg"&gt;Porträts von R. Z. Becker von Johann F. A. Tischein&lt;/a&gt;, gestochen von J. C. Chlotterbeck, 1799) &lt;br /&gt;(6) Szene vor Kirchenportal—Begräbnis von Hauptmann von Mildheim (15) Sterben, (27) Erfrorne, (56, 62, 69, 189) Adam u. Eva, (71) Brot, (95, 246) Obsternte, (117) Bier, (131) Obstwein, (147) Wassersucht, (171) Kleidung, (200) Hochmut, (206) Verführer, (238) Ehre: Soldaten in der Stadt L., (249) Reise, (266) pflügender Bauer mit Ochsen vor Dorf, (323, 793) Beerdigung auf Kirchhof, (352 Ertrinkender, Bachlandschaft, Hinzueilende (367, 510) kl. Vignette zu Teufelsgeschichte: Wachmann mit Horn u. Lanze, großer Hund, (368) ein Erhängter wird abgenommen, (375) Pflanze mit stachligen Blättern (378 + 379, 383) Stechapfel (403) tollwütiger Hund (501) Vignette Denkstein (502) Feuer-Katechismus für Junge und Alte (519) “Von eingebildeter und falscher Noth”; Geisterpferd und erschreckte Männer; sign. St.n. 2. Theil: ( 639, 651) Kinder-Preise, (661, 676) Schule, (691) Rebellion, (828) Dorffest, (832) Dorfansicht, (857) Fest für den Fürsten.&lt;br /&gt;&lt;br /&gt;17 Holzschnitte auch in Neuausgaben Gotha 1825, 1833, 1838</text>
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                <text>Rohr, S. 170-171. &#13;
&#13;
Reinhart Siegert: Aufklärung und Volkslektüre. Exemplarisch dargestellt an Rudolph Zacharias Becker und seinem „Noth- und Hülfsbüchlein“. Frankfurt a. M.: Buchhändler-Vereinigung, 1978.</text>
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                <text>Leben Meinungen und Schicksale berühmter und denkwürdiger Personen aus allen Zeitaltern. Für die Jugend bearbeitet / von Samuel Baur, Dekan der Diöcese Alpeck, und Pfarrer von Alpeck und Göttingen, im Königreich Württemberg. Bd. 2- 4.</text>
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Albrecht von Haller; Christian Felix Weisse; Cato von Utica (Sokrates); Schiller; Gellert;</text>
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                <text>Bd. 1 [wohl nicht Ramberg]&lt;br /&gt;&lt;br /&gt;Bd. 2&lt;br /&gt;Titelkupfer&lt;br /&gt;“&lt;a href="http://bbf.dipf.de/cgi-opac/bil.pl?t_direct=x&amp;amp;f_IDN=b0016374berl"&gt;Scene aus Huttens Leben&lt;/a&gt;.” Re. o “pag. 257”. &lt;br /&gt;Sign. "H. Ramberg del.   C. A. Schwerdgeburth sc.”&lt;br /&gt;&lt;br /&gt;Innenkupfer zu S. 460/461&lt;br /&gt;"&lt;a href="http://www.bbf.dipf.de/cgi-opac/bil.pl?t_direct=x&amp;amp;f_IDN=b0016375berl"&gt;Scene aus Hallers Leben&lt;/a&gt;" re. o. “pag. 461”; &lt;br /&gt;Sign. wie oben</text>
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                <text>Bd. 3 &lt;br /&gt;Titelkupfer “&lt;a href="http://www.bbf.dipf.de/cgi-opac/bil.pl?t_direct=x&amp;amp;f_IDN=b0016376berl"&gt;Sc[ene]. aus Weisses Leben&lt;/a&gt;.” &lt;br /&gt;Beschr. in diesem Band: 5. Christian Felix Weisse, Kreissteuer=Einnehmer in Leipzig. Sechstes Kapitel. Kleine Reisen, welche Weisse machte. (S. 508-515) &lt;br /&gt;Beschr.: aus Kutsche steigender Mann wird begrüßt von e. Mann (Lehrer?), 3 Mädchen mit Blumenkränzen und –Girlanden, springender Hund, Kinderschar, Hintergrund Baum, großes Haus.&lt;br /&gt;&lt;br /&gt;“&lt;a href="http://www.bbf.dipf.de/cgi-opac/bil.pl?t_direct=x&amp;amp;f_IDN=b0016377berl"&gt;Sc. aus dem Leben Cato's von Utika&lt;/a&gt;.” &lt;br /&gt;Beschr. in diesem Band: 2. Cato von Utika, ein edler Bürger der römischen Republik. Achtes Kapitel. Cato's Marsch auf Utika. Seine letzten Lebenstage. Freiwilliger Tod. (S. 235-250); &lt;br /&gt;Beschr.: Mann = Cato, Marcus Porcius =Socrates, antikisch mit wenig Haaren, lehnt auf einer Art Bett neben Tisch mit Öllampe und Schriftrollen, liest Schriftrolle, Hintergrund Raumteiler-Vorhang u. Büste auf Podest</text>
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                <text>&lt;a href="https://books.google.com/books?id=bi0DAAAAYAAJ&amp;amp;pg=PA267&amp;amp;dq=Leben+Meinungen+und+Schicksale+ber%C3%BChmter+und+denkw%C3%BCrdiger+Personen+vol&amp;amp;hl=en&amp;amp;newbks=1&amp;amp;newbks_redir=0&amp;amp;sa=X&amp;amp;ved=2ahUKEwiCjqDz1KblAhUDGDQIHXvABMsQ6AEwAHoECAEQAg#v=onepage&amp;amp;q=Leben%20Meinungen%20und%20Schicksale%20ber%C3%BChmter%20und%20denkw%C3%BCrdiger%20Personen%20vol&amp;amp;f=false"&gt;Bd. 4. (link zu Digitalisat des Buches)&lt;/a&gt;&lt;br /&gt;Bez. &lt;a href="http://opac.bbf.dipf.de/cgi-opac/bil.pl?t_direct=x&amp;amp;f_IDN=b0016378berl"&gt;"&lt;em&gt;Scene aus Schillers Leben.&lt;/em&gt;&lt;/a&gt;" (zu "8. Friedrich von Schiller. Hofrath und Professor der Geschichte in Jena", S. 499-563)&lt;br /&gt;Sign. "Ramberg del.  [Mat] Esslinger sculp".&lt;br /&gt;Schiller zwischen Säulen vor einem Gebäude, umringt von verschiedensten Menschen, auch Kinder und Uniformen. &lt;br /&gt;&lt;br /&gt;bez. o. re "pag. 398", unten "&lt;a href="http://opac.bbf.dipf.de/cgi-opac/bil.pl?t_direct=x&amp;amp;f_IDN=b0016379berl"&gt;Scene aus Gellerts Leben&lt;/a&gt;" . (Zu 6. Christian Fürchtegott Gellert. Professor der Philosophie in Leipzig." S. 365-432.) &lt;br /&gt;Sign. "Ramberg del.  Esslinger sculp." &lt;br /&gt;Gellert (in dunkler Kleidung, Perücke und mit Gehstock) streckt die rechte Hand aus nach einer vor ihm gehenden älteren Frau mit Haube und betender Geste.</text>
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                <text>Digitalisate und Beschreibungen auf BBF: &lt;a href="http://www.bbf.dipf.de/cgi-opac/bil.pl?t_direct=x&amp;amp;f_IDN=b0016376berl"&gt;Pictura paedagogica online&lt;/a&gt; (bbf.dipf.de).</text>
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                <text>1 Titelkupfer </text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Coligni</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="30">
                <text>Bez. “Coligni. – Es ist des Mannes höchster Stolz, zu kampfen [sic] / Für Weib und Vaterland, für Gott und Ehre!” [oben rechts] S. 127.&lt;br /&gt;Sign. "H. Ramberg del. – [Felsing] sc. [Darm.d]”.&lt;br /&gt;Ritter zieht Schwert, 2 Frauen klammern sich an ihn, durch die Tür drängende mit Schwertern, Hellebarde.</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31">
                <text>Digitalisat Google books Exemplar K.K. Hofbibliothek 3091 A Hellebarde. &lt;a href="https://books.google.com/books?id=qIdHAAAAcAAJ"&gt;Digitalisat&lt;/a&gt; </text>
              </elementText>
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          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1725">
                <text>[Felsing]</text>
              </elementText>
            </elementTextContainer>
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      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="318">
        <name>Coligni</name>
      </tag>
      <tag tagId="319">
        <name>Ritter</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
